Growing up in Baton Rouge, Louisiana, Lynn Whitfield first watched the likes of Audrey Hepburn in “Breakfast at Tiffany’s” and Bette Davis in “All About Eve” from her grandmother’s lap. She loved classic movies and with child-like confidence, she could see no reason she could not become an actress and some day play those same types of roles. Over the course of nearly three decades, the talent of the little girl who dreamed of being on the silver screen has taken her to the heights of the acting profession and earned the respect of the pub
Growing up in Baton Rouge, Louisiana, Lynn Whitfield first watched the likes of Audrey Hepburn in “Breakfast at Tiffany’s” and Bette Davis in “All About Eve” from her grandmother’s lap. She loved classic movies and with child-like confidence, she could see no reason she could not become an actress and some day play those same types of roles. Over the course of nearly three decades, the talent of the little girl who dreamed of being on the silver screen has taken her to the heights of the acting profession and earned the respect of the public and her peers.
After gaining attention on the stage as one of the young women of color in Ntozake Shange’s poetic panorama of the black female experience, “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf”, Whitfield began appearing in supporting roles in such films as “Doctor Detroit” (1982) and “Silverado” (1985) but did not achieve real success until starring in television films (“The George McKenna Story”, “Johnnie Mae Gibson: FBI”, both CBS 1986) and miniseries (the acclaimed “The Women of Brewster Place” ABC 1989).
Whitfield vaulted to international attention in the title role of “The Josephine Baker Story” (1991), the HBO biopic requiring her to age from 18 to 68 to portray the Follies Bergere star turned Resistance and civil rights fighter. In a highly-publicized search that rivaled that of the hunt for Scarlett O’Hara in “Gone with the Wind”, she beat out more than 500 women considered world-wide for the role and won an Emmy, achieving “the greatest sense of accomplishment and realization of my vision. It absolutely called upon everything I thought I could do at that point.” Her triumph as Baker, however, proved both a blessing and a curse as she became so closely identified with the Jazz Age legend that other opportunities were slow to come along. Whitfield had worked as a regular in two ABC series (“Heartbreak” and “Equal Justice”) prior to playing Baker, and the dearth of good offers encouraged her to return to the small screen opposite Bill Cosby in “The Cosby Mysteries” (NBC, 1994-95).
Gradually, the parts started coming her way again, and though critical response to such vehicles as “A Thin Line Between Love and Hate” and “Gone Fishin'” (both 1996) was tepid, these features increased her exposure. Whitfield roared back into the winner’s column with “Eve’s Bayou” (1997), her part as head of a prosperous, socially prominent black family in Louisiana drawing heavily on her blue-blooded Baton Rouge upbringing. She returned to a similar milieu as snobby Martha’s Vineyard matron Corinne Coles in the ABC miniseries “The Wedding” (1998), executive produced by Oprah Winfrey, who had also executive produced the earlier “The Women of Brewster Place.”
Whitfield joined forces with fellow Louisiana native, Tyler Perry, who handpicked her for a memorable role the popular screen adaptation of his play, “Madea’s Family Reunion” (2006).
Whitfield won Emmy Award for Outstanding Lead Actress in a Miniseries or a Special and a NAACP Image Award for her performance as Josephine Baker in the HBO movie The Josephine Baker Story (1991). She also won NAACP Image awards for her work in Touched by an Angel (1998), The Planet of Junior Brown (2000) and Redemption: The Stan Tookie Williams Story (2004).
The ability to tell stories about such a diverse array of women, along with her seminal portrait of Josephine Baker, embodies the career Whitfield envisioned for herself as that little Louisiana princess so many years ago.